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NBA TV Tackles Off-Court Themes on New Episode of ‘Beyond the Paint’

In NBA TV’s “Beyond the Paint,” Matt Winer spotlights the Jacksonville video game tournament shooting, mental health in the NBA and StockX.

Bailey Knecht




Photo credit: NBA TV

Those who run successful media outlets know the value in providing rich, well-rounded coverage. Turner’s NBA TV has capitalized on the hunger for meaningful storytelling with its magazine-style show, “Beyond the Paint.”

“You can get highlights a lot of different places, and our highlight shows have to be good, but there’s an awareness that you have to offer more than that,” said Matt Winer, the Turner personality who hosts the show.

“Beyond the Paint” lasts 30 minutes and dives into a variety of topics that aren’t covered on NBA TV’s highlight-style shows.

“We felt there was an opportunity on NBA TV for longer-form storytelling that, with a few exceptions of pieces that NBA Entertainment had done, we weren’t doing much of,” said Winer. “So a few years ago, I floated the idea, which evolved to ‘Beyond the Paint,’ where we tackle stuff that isn’t specifically NBA-related, but basketball-related.”

READ MORE: Sports Streaming Has Room for Improvement in 2019 

“It has nothing to do with NBA games in particular, or with stats and analysis, but it’s a different look at basketball,” he added. “My unofficial tagline that I’ve been using is that it’s a show about basketball and the people who make the game.”

Some of the show’s topics are particularly challenging, which has allowed Winer to make the most of his journalism roots. For example, in its latest installment, which airs Tuesday at 11 p.m. ET, “Beyond the Paint” features a segment on the Jacksonville video game tournament shooting.

“Not all of the stories we’ve done have been that heavy, and the show is not intentionally heavy, but it’s a different approach,” Winer said. “I’m a journalism school grad, so I tap into that training, even though it was a long time ago. Most of what I do in the studio is ‘small-j journalism,’ and not really this sort of reporting, but more of asking people about the context of teams and the league at large. This is a very different approach.”

The new episode begins with a profile on Timothy Anselimo, a professional NBA 2K gamer who survived the gaming tournament shooting. The segment highlights his recovery, during which he underwent reconstructive thumb surgery and occupational therapy to regain his mobility after a bullet passed through his hand.

“If I’m Tim, I don’t know if I’d be willing or ready to have that discussion, so we’re incredibly grateful,” Winer said. “They’re really dealing with this emotion still, and understandably so — it was a horrific experience, and it’s shaken them even more than I think Tim allowed us to see.”

Covering tough topics isn’t something Winer takes lightly, and he makes it a point to treat each story with a sense of empathy.

“There’s a sensitivity involved, with discussions to get people to open up and agree to even speak about such things,” Winer said. “You sort of walk a fine line between being sensitive and eliciting information and answers to take viewers into that experience, and that’s a tricky thing as an interviewer.”

In addition to the shooting, the newest episode features the conversation around mental health in the NBA, with a focus on recent initiatives implemented by the league.

“Basically, the infrastructure is the safety net that the NBA and the players association have put in place in wake of the disclosures by Kevin Love and DeMar DeRozan and their mental health challenges,” Winer said. “Hopefully, this has removed some of the stigma and mental health issues that players and others have faced for so long. The league and players association has responded by hiring folks and putting things in place so players can get some help because, like anybody else, most are not equipped to do it alone.”

Winer acknowledged the NBA for permitting his team to take on big stories like these.

“I would say, to the league’s credit, they allow us to tackle these subjects that are not necessarily all rainbows and unicorns,” he said. “There are some difficult topics covered, and they don’t have to let us do that, but for the most part they leave us alone on that.”

A more lighthearted segment of the episode delves into StockX, a marketplace for authentic sneakers and streetwear.

“For our other piece on StockX, the basketball connection is two-fold,” Winer said. “The secondary market for basketball shoes is a huge business, plus StockX was co-founded by Dan Gilbert, the owner of the Cavaliers. So, it’s an explanation of what this business is and how folks buy shoes and luxury goods.”

SEE MORE: FanSided Turns to Emojis to Help Differentiate NBA Coverage 

Pinpointing a wide range of story topics like the ones that appear in Tuesday’s episode is a team effort, according to Winer.

“It’s a fairly small staff — for every one of us who works on this show, this is our second job,” he said. “We put out an all-call alert, and we take story ideas from anyone in the building. People can say, ‘I heard about this interesting thing in a college or high school,’ or, ‘What about this topic?’ and we consider all of those and discuss them internally with the core group to see if they make sense for our show.”

Throughout that process, Winer’s group is constantly looking to go above and beyond traditional sports coverage — a theme that Turner, as a whole, has embraced.

“These are the segments that people want, and you have to increase your footprint a bit,” he said. “You can’t just be strictly basketball highlights and analysis. We like to think we do that better than most, but the reality is, we’re not the only ones providing it… Everybody has to be versatile these days.”

Bailey Knecht is a Northeastern University graduate and has worked for New Balance, the Boston Bruins and the Northeastern and UMass Lowell athletic departments. She covers media and marketing for Front Office Sports, with an emphasis on women's sports and basketball. She can be contacted at

Digital Media

Inside the Huddle: Talking Paid Social With Angela Welchert

For Angela Welchert, a social media partnerships lead at IBM, paid social has become an intregral part of her job and the company’s overall strategy.

Front Office Sports




On February 22, a handful of digital media professionals from across the industry will converge on New York City for the first in our Huddle Series. Participants will get the chance to learn from these speakers and grow their knowledge of five specific areas within digital media: paid social, content distribution, platform strategy, monetizing social media, and vertical content.

In the buildup to the event, we’ll be introducing you to the huddle leaders who will be lending their expertise. Today, we begin with Angela Welchert, a social media partnerships lead at IBM. She will be one of the leaders of the huddle “Pay to Play: Executing Better Paid Social Campaigns”.

Welchert describes herself as a professional who does her best work focusing on the bigger picture.

“I like to focus on looking at the grander scheme and really drilling down into opportunities that are executable,” Welchert stated. “Throughout my career, I’ve heavily contributed to driving forward social presence for companies and organizations.  Now leading paid partnerships for IBM, I’m focused on identifying opportunities for us to really optimize social.”

Welchert also describes her current role with IBM as the highlight of her career. Prior to landing that job, Welchert graduated from the University of Wisconsin-La Crosse, where she studied business administration and marketing.

Before moving to New York, Welchert jumped into the world of social marketing at the Mayo Clinic in Minnesota as a social media strategy consultant. In 2011, Welchert migrated to the Big Apple to become the director of social media at Berkeley College before joining IBM in 2014 as its global social business manager. In 2018, she was promoted to the social media partnerships lead.

“In the first six months or so that I’ve been in this role,” Welchert remarked, “I’ve spent a large portion of my time reevaluating how we’re executing and strategizing when it comes to paid social, which is a very heavy investment for IBM. I pride myself on bringing a multidisciplinary attack to the way we’re approaching paid social.”

Over the course of her career to date, Welchert has become very conscious of the multi-faceted nature of social media marketing. In order for other young professionals to find success in the field and specifically in paid social, she recommends that they do the same.

“Social marketing is both an art and a science. The science side of it with targeting, reporting, and optimizing is important. However, you still need to be very cognizant of the art side of social media when it comes to content creation.”

READ MORE: Front Office Sports Digital Media Huddle Series at Bleacher Report

In her brief time at IBM, Welchert has already made a significant impact for the organization. Specifically, her changes to what platforms the company invests money are paying dividends.

“IBM is a massive company, with over 400,000 employees globally. Sometimes change can be slow moving. So I believe the most impactful thing that I’ve done so far in this role is bring together our leadership team including social, paid media, corporate advertising, and our agency of record to change the way we do paid social.”  Welchert states. “we are now in the process of deep diving into our paid social investments, to create a new process that will better position our paid media teams for success. By doing this, we will see significant cost savings for IBM, but we will also improve the return from our investments.”

Meet Welchert and hear more of her thoughts on the current digital landscape at the Front Office Sports Digital Media Huddle presented by Opendorse in New York on February 22. For tickets and additional info, click here.

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Digital Media

DC United’s Broadcast Deal Could Further Demonstrate Digital Media Potential

FloSports’ broadcast deal with D.C. United exemplifies the company’s mission to raise the profile of sports outside the Big Four leagues.



Photo via DC United

A positive in increasing segmentation of sports media could be the corresponding rise in the popularity of sports outside the Big Four.

That’s what digital streaming service FloSports has in mind for a variety of sports, most prominently soccer in the United States. The company recently secured a multi-year agreement with MLS side D.C. United for coverage.

“We’ve always had our eyes on trying to get into soccer,” said Mike Levy, FloSports vice president of global rights acquisition. “Strategically, it really only made sense if we could do it with a really good, smart, strategic direction. We held out until we felt like we found it.”

FloSports started in 2006, largely with wrestling and track and field content.

READ MORE: How Wayne Rooney Added Millions of Additional Brand Value for D.C. United and MLS

Most of D.C. United’s home and away games will be aired on, the provider’s 25th sports vertical. The broadcasts will be in both English and Spanish. Also included in the deal with D.C. United is rights into original D.C. content, like behind-the-scenes programming.

“D.C. United is committed to providing fans with an innovative and high-quality viewing experience for all of their regionally broadcast matches,” said Sam Porter, D.C. United senior vice president. “Our deal with FloSports presents a new and unique opportunity for fans to get behind-the-scenes access to the D.C. United first team … while also providing a world-class broadcast production for viewers.”

Levy said the reason major professional sports have captured the American mindset is because of the previous media efforts and marketing. He said the future of other sports is up to the marketing and media opportunities presented to them — and soccer is in an ideal spot with its global popularity and U.S. youth participation.

Traditional media properties like NBC and FOX provide excellent live soccer coverage, Levy said, but there’s a deeper opportunity with the off-hour programming to explore and become a content destination.

“We believe you have to figure out how to create an emotional connection,” Levy said. “You have to do a lot more than just broadcast live sports. Any given Saturday night, there’s a thousand sporting events to choose from in the linear and digital stratosphere. And that’s just sports; there’s general entertainment and news too.

“All these types steal attention spans. So, we look for opportunities where fans aren’t getting that deep level of attention these sports deserve.”

Levy said FloSports will continue to seek other soccer rights deals to further prove soccer deserves the attention level the other major professional leagues receive from traditional media.

Other sports, along with wrestling and track and field verticals, FloSports has zeroed in on include Brazilian jiu-jitsu, fast-pitch softball, and rugby.

FloSports also has rights in basketball with the Euro League and Australian and German professional leagues and is a large platform for high school hoops.

READ MORE: Immersive Media’s Infancy Creates Industry Opportunities

“We’re looking to expand the international pro game in the U.S.,” Levy said. “Basketball is something we’re excited about.”

Football provides a large challenge as it is dominated by traditional media, but Levy said FloSports is seeking deeper penetration in high school sports, as well as some collegiate opportunities. Levy also said he sees tremendous opportunities in baseball at every level outside of Major League Baseball and currently broadcasts a variety collegiate games.

The proliferation of the internet and streaming services has provided the ability for platforms like FloSports to grab serious viewership in sports that previously saw almost zero coverage, even ESPN’s famous off-hour programming, in the past. Sports fanatics will devour content in their preferred sport if it’s available.

“There’s never been this level of fragmentation with this movement to digital,” Levy said. “Through that, we believe all sorts of sports have the opportunity to rapidly grow them as they get passionate viewers, and we can do our part to feed into it.”

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Digital Media

A Pivot Back From Video Feels Unlikely for Sports Media in 2019

The pivot-to-video experiment produced mix results for some, but don’t bank on sports publishers turning a hopeful gaze toward long-form written content in 2019 and beyond.




Photo via Unsplash

For the better part of the last few years, sports media outlets shifted a lot of resources from written content to video.

FOX Sports was arguably the most notable example of pivoting to video — and still to this day only publishes video content on its website. Initially, the result of the drastic alteration in content strategy was an 88 percent drop in web traffic.

To further complicate things, it has since come to light that Facebook’s video metrics may not have been completely accurate. Long story short, the trend of the pivot to video was not a successful one for the industry.

This being said, a full transition back to focusing on true long-form written content is not something that many industry professionals see in the cards for the near future.

LISTEN: Addressing the Challenges of Working in Social Media 

“Personally, I remain skeptical that long-form written content will really take off as the primary offering for most major sports publications,” said Jared Kalmus, assistant manager of SB Nation’s Underdog Dynasty. “The fact remains that web publications depend on clicks to drive their revenue streams, and the effort and writing talent required to publish long-form content is prohibitive when compared to quick-hit ‘click-bait’ posts.

“The ideal approach is likely to have some type of matrix between long-form features and quick news updates, but this requires a staff expansion for most publications. That’s a big ask as most publications are struggling to even pay their existing talent a living wage.”  

The ease of publishing what are essentially small stories in a series of tweets or other social media posts further complicates things. At least this is how Joe Serpico, a reporter for Fox Sports Radio 1340 AM in the DMV area, sees it.

“It pains me to say this, but I don’t see written publications being any better even with video not taking off as planned,” Serpico said. “That’s mainly because of social media. When breaking news happens, we rush to Twitter and Facebook to get the information. A lot of beat writers give most of the information they’re putting into their story in tweets or Facebook posts. These days, we see writers incorporate tweets into their articles too.

“The video experiment did seem to backfire, but I don’t think it will help written publications be the primary focus again. It is social media that has changed journalism most.”

READ MORE: 3 Predictions for Sports Digital Media in 2019

In talking with other writers throughout the sports space, you’ll find many who share a similar opinion. Creatives with a writing background continue to be unoptimistic about the state of the space, especially with stories like that of former Sports Illustrated writer Austin Murphy, who published an account last month of his transition to a full-time job delivering packages for Amazon, becoming more and more common.

This is not to say that other types of creatives are doing anything wrong.

The social media space has given rise to a massive number of talented videographers, graphic designers, animators, and so on. It does spark interest about the time we live in as media consumers, however. The space shifted to a massive focus on something, it was a statistical failure, but it doesn’t seem like it’s really going to change things all that much.

Could 2019 prove that feeling wrong? We’ll have to wait and see. 

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